magazine spread mock-up, MKII...

The revised version of my mock magazine spread, words and all (although I'm not sure if I am 100% happy with them just yet, but the layout is about right). Enjoy!

S

magazine spread mock-up, MKI...

Easter is drawing ever-closer, and work is piling ever-higher. But all is good, because, for the first time since starting university, I think I am actually on top of it all. This is mainly because I have got in to the habit of paying frequent nocturnal visits to the campus library - as I am now, at 22:30pm - which gives me room to breathe away from the cramped, noisy, humid, tacky, Ikea-furnished confines of student accommodation. 

Anyway. A new module which I have been working on over the past few days is Narrative, and is all about how image and text come together in a holy matrimony of typography to tell a compelling story. The majority of this module is based around viewing and reviewing book, magazine and journal layouts, both historical and contemporary: what looks brilliant? What looks bloody awful? And believe me, there is far too much of the latter. A good place to start with this is Issuu, an online community which allows anyone around the world to upload magazine-style spreads. It is a wonderful tool for self-publishing and is full of inspiration for all thing typographic - I suggest checking it out if this subject is your proverbial cup of tea - see: http://issuu.com/  

The key aspect of this module, then, is to create our own 'mock-up' magazine spreads using images from any one of our projects so far. I will be using images from my recent shoot with the homeless in Newquay, titled Shelter. The first draft of this can be seen below. I am quite happy with the results thus far; however, there is still a lot of room for improvement: I'm not sure if I like the placement of the images on the 3rd page; I am not entirely happy with the title font; one of my negs needs cleaning... You get the idea. And before you read the text and think, "hold on a second, this isn't English", well that's because it isn't. It's what we call in the industry - I think I am allowed to say that by now - 'placeholder text', which is basically a business-ey term for "I haven't thought of anything to say yet". Enjoy.

S

Mock-up magazine spread:

Pg. I

 



Pg. II



Pg. III

update...

So things have slowed down a bit since the influx of comments and page views I received after posting my work from the Newquay shoot. I would like anyone who is interested to know that I am still continuing the project, however it is going to be a longer process then I previously imagined. And for those of you who care, that post has received over 300 hits and has got a couple of comments from civilians of Newquay, not to mention the fact that Denise - the ex-social worker - got in contact with me via this blog to help me with the project.  

I have visited the homless guys in Newquay three times now, each visit being averagely six hours in length; however, during this roughly eighteen hours of contact time I have only shot one roll of film. It is going to be more difficult than I anticipated to fully gain their trust, and I have not yet reached the point where I feel completely comfortable pressing the shutter. Sometimes I get frustrated, and think "why am I really here", but then I remind myself that this is quite different to anything I have done before and that these people have every right not to be comfortable with me yet. It's funny, really, each time I leave I feel a pang of disappointment because I didn't shoot anything, but then I think of how far I have come already in terms of trust - I have already gained the nickname 'Paparazzi', and word of my presence has apparently spread - and I am filled with a new sense of determination to keep on returning and fulfilling what I have set out to do. It's almost addictive, in a strange way -  I always look forward to my next visit, knowing that I probably won't be able to comfortably photograph again, but I will be one step closer to doing so.

Next weekend should hopefully see a breakthrough; I will (hopefully) be spending the day with 'Chris the Fish', a rough sleeper who works on a charter fishing boat. He does not get paid for the work, but - in his words - "it keeps me off the street and out of trouble". It is a great example of how willing some of these people can be, and I really hope that I can get permission from the skipper of the vessel to allow me to come on board. 

I have come to realise, also, that the only way for me to be completely accepted in to this community - and to really experience what it is like to be homeless - then I need to rough sleep with them. I have had this thought in the back of my mind since I started this project, and it is only now that I fully realise it is exactly what I need to do. If I am to tell their story it can't be from me just turning up on the train every Wednesday and Saturday and then going home again in the evening - that would be hypocritical of me to say the least. I need to immerse myself in their lives, to feel what it is like to sleep in a shelter or a squat or an abandoned caravan or a tent on the headland. Only then will I be able to photograph their story. [pause for effect. end of dramatic speech]

S